Mamiya 645 Lenses

5 interactive lens diagrams

Mamiya 645 medium-format SLR family, introduced in 1975 | 645 medium format film and digital backs

Mamiya 645 began as a more portable medium-format SLR alternative to larger 6x6 and 6x7 systems. The original M645 line used 120/220 film inserts for 6x4.5 frames and paired interchangeable lenses with prism finders, grips, and motor drives. Later Super, Pro, and Pro TL bodies moved toward a more modular workflow with interchangeable backs, making the system more adaptable for studio and location use.

The mount family grew through several generations, including manual-focus M645 lenses and later autofocus 645AF/Phase One-era systems. Compatibility and automation vary across generations, so the catalog id is best read as a broad Mamiya 645 ecosystem rather than a guarantee that every body and lens feature interworks. This is especially important around autofocus, electronic aperture support, leaf-shutter variants, and digital-back-era expectations.

Optically, Mamiya 645 lenses are valuable because they balance medium-format coverage with relatively handheld-friendly bodies. They are common comparison points for portrait, wedding, macro, and studio lenses in the smaller 645 roll-film format, and many later lenses became part of the practical bridge from film 645 to digital medium-format backs.

MAMIYA AF APO 300mm f/4.5 IF8 ELEMENTS / 8 GROUPS, 300mm f/4.5, DESIGN f/4.63MAMIYA SEKOR AF 150mm f/2.8 IF D8 ELEMENTS / 7 GROUPS, f = 149.790 mm (DESIGN), F/2.88 (DESIGN)MAMIYA SEKOR AF 55mm f/2.87 ELEMENTS / 6 GROUPS, f = 54.99997 mm (DESIGN), F/2.8MAMIYA-SEKOR C 55mm f/2.8 N8 ELEMENTS / 6 GROUPS, f = 54.9999 mm, F/2.8MAMIYA-SEKOR MACRO C 80mm f/46 ELEMENTS / 4 GROUPS, f = 80.121 mm (DESIGN), F/4