Canon Lenses

Est. 1937 · Tokyo, Japan · 24 lenses

Canon's origins trace to 1933, when Goro Yoshida and his brother-in-law Saburo Uchida built the Kwanon — a 35 mm focal-plane shutter camera prototype, named after the Buddhist goddess of mercy — at the Precision Optical Instruments Laboratory in Roppongi, Tokyo. The Kwanon never went into commercial production; the first camera actually sold under the new brand was the Hansa Canon (1936), a coupled-rangefinder 35 mm body distributed by Omiya Shashin-yōhin under the 'Hansa' trade name and fitted with a Nikkor 50 mm f/3.5 lens supplied by Nippon Kogaku — Canon did not yet produce its own lenses. Precision Optical Industry Co., Ltd. was formally incorporated in August 1937 to scale up production, and the company renamed itself Canon Camera Co., Ltd. in 1947 (and Canon Inc. in 1969).

Canon began manufacturing its own optics in 1939 with the Serenar lens series for the Hansa Canon line. Through the 1950s and early 1960s the Canon-mount (Leica thread mount-derivative) rangefinders matured into the Canon VI and Canon 7, and the Canonflex (1959) and FT QL (1966) brought Canon into the SLR market. The R, FL, and FD lens-mount series of the 1960s and early 1970s established Canon's SLR optical line, and the AE-1 (1976) — with CPU-controlled shutter-priority exposure made possible by Canon's early investment in microelectronics — sold an unprecedented five million units worldwide and became the best-selling SLR of the decade. The Canon F-1 (1971) and New F-1 (1981) served professional photojournalists and studio photographers during the same period.

The EOS system (1987) was a deliberate architectural break: Canon abandoned the FD mount mid-product-cycle and introduced the EF mount with a fully electronic lens-body interface and a 54 mm throat at a 44 mm flange focal distance. Every EF lens drives its own autofocus motor internally — Canon's USM (Ultrasonic Motor), introduced on the EF 300 mm f/2.8L USM in 1987, was the first such system in any 35 mm autofocus lens and removed the body-to-lens mechanical coupling that limited earlier AF designs. The EOS-1 (1989) and the long telephoto L-series that followed — together with optical innovations like in-lens Image Stabilization (introduced on the EF 75-300 mm f/4-5.6 IS USM in 1995, the first stabilized 35 mm autofocus lens), Diffractive Optics (DO) elements (EF 400 mm f/4 DO IS USM, 2001), and Blue-spectrum Refractive (BR) elements (EF 35 mm f/1.4L II USM, 2015) — made Canon the dominant force in professional sport and press photography through the 1990s and 2000s.

Canon's transition to digital began with the EOS D30 (2000) and EOS-1D (2001), and the EOS-1Ds (2002) was the first integrated full-frame DSLR. The RF mount system, launched with the EOS R (2018), kept the EF mount's 54 mm throat but shortened the flange focal distance from 44 mm to 20 mm, enabling much shorter back-focus designs and a denser 12-pin lens-body data link. The RF 50 mm f/1.2L USM and RF 85 mm f/1.2L USM demonstrated what this design freedom enabled at wide apertures, while the RF 100 mm f/2.8L Macro IS USM introduced an SA (spherical aberration) control ring — an adjustable element group that allows photographers to dial in or out foreground and background bokeh character at any focus distance.

Notable designs: EF 50mm f/1.0L USM, EF 85mm f/1.2L II USM, EF 200mm f/2L IS USM, RF 50mm f/1.2L USM, RF 100mm f/2.8L Macro IS USM

CANON EF 100mm f/2.8L Macro IS USM15 ELEMENTS / 12 GROUPS, f = 100.0 mm, F/2.8 (design F/2.92)CANON EF 40mm f/2.8 STM6 ELEMENTS / 4 GROUPS, f ≈ 39.0 mm, F/2.8CANON EF 50mm f/1.0L USM11 ELEMENTS / 9 GROUPS, f ≈ 50.0 mm, F/1.0CANON FD 35mm f/2 S.S.C. (I)35mm f/2, 9 elements / 8 groups, Floating focusCANON FD 50mm f/1.2 L8 ELEMENTS / 6 GROUPS, f ≈ 50.0 mm, F/1.2CANON New FD 50mm f/1.27 elements / 6 groups, 46° field of view, MFD 0.5 mCANON RF 100mm f/2.8 L MACRO IS USM17 ELEMENTS / 13 GROUPS, f ≈ 100.8 mm, F/2.92CANON RF 135mm f/1.8 L IS USM17 ELEMENTS / 12 GROUPS, f ≈ 130.9 mm, F/1.86CANON RF 15-35mm f/2.8 L IS USM16 elements / 12 groups, 3 aspherical elements (6 surfaces), 2 UD elementsCANON RF 24-105mm f/4 L IS USM18 ELEMENTS / 14 GROUPS, f = 24.72 – 101.84 mm, F/4.12 (design)CANON RF 24-240mm F4-6.3 IS USM21 ELEMENTS / 15 GROUPS, f ≈ 24.7–232.8 mm, F/4.12–6.41CANON RF 24-50mm F4.5-6.3 IS STM8 ELEMENTS / 8 GROUPS, f ≈ 24.7–48.5 mm, F/4.63–6.48CANON RF 24-70mm f/2.8L IS USM21 ELEMENTS / 15 GROUPS, f = 24.7–67.9 mm, F/2.91CANON RF 28-70mm F2 L USM19 ELEMENTS / 13 GROUPS, f = 28.9 – 67.9 mm (patent), F/2.06 (constant)CANON RF 28-70mm F2.8 IS STM15 ELEMENTS / 12 GROUPS, f = 28.80–67.90 mm (2.36×), F/2.88–2.92CANON RF 50mm f/1.2 L USM15 ELEMENTS / 9 GROUPS, f ≈ 51.1 mm (marketed 50 mm), F/1.25 (marketed F/1.2)CANON RF 70-200mm f/2.8 L IS USM17 ELEMENTS / 7 ZOOM GROUPS, f = 72.13–194.06 mm, F/2.89–2.91CANON RF 85mm f/1.2L USM14 ELEMENTS / 9 GROUPS, f ≈ 86.5 mm, F/1.24CANON RF 85mm f/2 Macro IS STM12 ELEMENTS / 11 GROUPS, f ≈ 82.4 mm, F/2.06CANON RF24-105mm F2.8 L IS USM Z23 ELEMENTS / 18 GROUPS, f = 24.78–102.06 mm, F/2.9 (constant)CANON SERENAR 28mm f/3.56 ELEMENTS / 4 GROUPS, f ≈ 28.0 mm, F/3.5CANON SERENAR 35mm f/3.26 ELEMENTS / 4 GROUPS, f ≈ 35.0 mm, F/3.2 (design F/3.0)CANON SERENAR 50mm f/1.86 ELEMENTS / 4 GROUPS, f ≈ 50.0 mm, F/1.8CANON SERENAR 85mm f/1.57 ELEMENTS / 4 GROUPS, f ≈ 85.0 mm, F/1.5